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Since the mid-1990s, Taiwan’s unique brand of Mandopop (Mandarin Chinese–language pop music) has dictated the musical tastes of the mainland and the rest of Chinese-speaking Asia. Cries of Joy, Songs of Sorrow explores Mandopop’s surprisingly complex cultural implications in Taiwan and the PRC, where it has established new gender roles, created a vocabulary to express individualism, and introduced transnational culture to a country that had closed its doors to the world for twenty years.
In his early chapters, Marc L. Moskowitz provides the historical background necessary to understand the contemporary Mandopop scene, beginning with the birth of Chinese popular music in the East Asian jazz Mecca of 1920s Shanghai. A brief overview of alternative musical genres in the PRC such as Beijing rock and revolutionary opera is included. The section concludes with a look at the manner in which Taiwan’s musical ethos has influenced the mainland’s music industry and how Mandopop has brought Western music and cultural values to the PRC. This leads to a discussion of Taiwan pop’s exceptional hybridity, beginning with foreign influences during the colonial period under the Dutch and Japanese and continuing with the country’s political, cultural, and economic alliance with the U.S. Moskowitz addresses the resulting wealth of transnational musical influences from the rest of East Asia and the U.S. and Taiwan pop’s appeal to audiences in both the PRC and Taiwan. In doing so, he explores how Mandopop’s "songs of sorrow," with their ubiquitous themes of loneliness and isolation, engage a range of emotional expression that resonates strongly in the PRC.
Later chapters examine the construction of male and female identities in Mandopop and look at the widespread condemnation of the genre by critics. Drawing on analyses and data from earlier chapters (including interviews with dozens of performers, song writers, and lay people in Taipei and Shanghai), Moskowitz attempts to answer the question: Why, if the music is as bad as some assert, is it so central to the lives of the largest population in the world? To answer, he highlights Mandopop’s important contribution as a poetic lament that simultaneously embraces and protests modern life.
Cries of Joy, Songs of Sorrow is a highly readable introduction to an important but understudied East Asian phenomenon. It will find a ready audience among scholars and students of Chinese and Taiwanese popular culture as well as musicologists studying transnational music flows and non-Western popular music.
- Sales Rank: #2052631 in Books
- Brand: Brand: Univ of Hawaii Pr
- Published on: 2009-11-24
- Released on: 2009-11-24
- Original language: English
- Number of items: 1
- Dimensions: 8.90" h x .50" w x 5.90" l, .70 pounds
- Binding: Paperback
- 176 pages
- Brand Name: Baker and Taylor Mfg#: 9780824834227
- Shipping Weight: 0.70 lbs
- Manufacturer:
- Genre:
- All music products are properly licensed and guaranteed authentic.
About the Author
Marc L. Moskowitz is Associate Professor of Anthropology at the University of South Carolina. He is the author of several books, including "Cries of Joys, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations".
Most helpful customer reviews
3 of 3 people found the following review helpful.
This is a fantastic book!
By Sheldon C Edwards
This book is extremely well written and provides a lot of information on Mandarin music.
I have long been a fan of some of the earlier Taiwan singers (1977-79) when I lived there like: Ou Yang Fei Fei, Feng Fei Fei, Teng Li Jun, etc and this books puts their works in the overall context of Mandopop. The references cited have also been helpful in learing more.
The author has also written other books and articles of which I have sought out and just begun to read. I hope he continues to write more.
2 of 2 people found the following review helpful.
If you like Chinese popular music,this is for you.
By Ward Greene
I'm not Chinese,but I really like the Chinese language girl singers,and have been buying their music since 1970. This is the first behind the scenes" and "general philosophy" book on Chinese popular music that I've seen.....and I am really enjoying slowly reading it.
0 of 1 people found the following review helpful.
Sweeping generalisations, and flawed logic that often results from ...
By Chewie
Sweeping generalisations, and flawed logic that often results from the author's inability to take into consideration circumstances in countries outside Chinese-speaking region.
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