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Demon warrior puppets, sword-wielding Taoist priests, spirit mediums lacerating their bodies with spikes and blades―these are among the most dramatic images in Chinese religion. Usually linked to the propitiation of plague gods and the worship of popular military deities, such ritual practices have an obvious but previously unexamined kinship with the traditional Chinese martial arts.
The long and durable history of martial arts iconography and ritual in Chinese religion suggests something far deeper than mere historical coincidence. Avron Boretz argues that martial arts gestures and movements are so deeply embedded in the ritual repertoire in part because they iconify masculine qualities of violence, aggressivity, and physical prowess, the implicit core of Chinese patriliny and patriarchy. At the same time, for actors and audience alike, martial arts gestures evoke the mythos of the jianghu, a shadowy, often violent realm of vagabonds, outlaws, and masters of martial and magic arts. Through the direct bodily practice of martial arts movement and creative rendering of jianghu narratives, martial ritual practitioners are able to identify and represent themselves, however briefly and incompletely, as men of prowess, a reward otherwise denied those confined to the lower limits of this deeply patriarchal society.
Based on fieldwork in China and Taiwan spanning nearly two decades, Gods, Ghosts, and Gangsters offers a thorough and original account of violent ritual and ritual violence in Chinese religion and society. Close-up, sensitive portrayals and the voices of ritual actors themselves―mostly working-class men, many of them members of sworn brotherhoods and gangs―convincingly link martial ritual practice to the lives and desires of men on the margins of Chinese society. This work is a significant contribution to the study of Chinese ritual and religion, the history and sociology of Chinese underworld, the history and anthropology of the martial arts, and the anthropology of masculinity.
- Sales Rank: #5951775 in Books
- Published on: 2010-10-31
- Released on: 2010-10-31
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 6.25" w x 1.25" l, 1.25 pounds
- Binding: Hardcover
- 288 pages
About the Author
Avron Boretz is program director at the United Board, based in Hong Kong.
Most helpful customer reviews
4 of 4 people found the following review helpful.
A fascinating, impressive work.
By An Amazon Customer
Avron Boretz lived among the men on the fringes, to make this book. He participated in the religious rituals, the martial arts, and the various low-life activities that make up the jianghú. You may have seen that word before, especially if you've watched wuxia movies; "jianghú" is often translated as "the martial world," in which kung fu societies struggle for dominance, often trying to preserve a master's secret martial style.
But the real-life jianghú, as this book shows, is much more interesting than the simplistic, romanticized vision of Jin Yong and the others. For the men on the margins, low-level criminality, kung fu fights, exorcising ghosts, and womanizing, are acts that transform a failed life into a legend.
These men and their world are fascinating; Boretz's means of analysis are sophisticated; and I wanted the book to go on and on.
1 of 1 people found the following review helpful.
Really enjoyed reading this, but...
By Nelson
This book is definitely only going to be enjoyed by people interested in the particular subject it covers, mainly temple culture in Taiwan and to a certain extent mainland China,.
Mr. Boretz does a great job of giving us insights into this often overlooked part of traditional Chinese culture, especially as it has survived and thrived in Taiwan and how it's been repressed and re-invented in mainland China. Not just that, but it also gives a great look into the traditional Chinese concepts of masculinity and honor and how they relate to martial culture and ritual violence.
At times it reads much like an academic piece of work that should be read just as reference, especially at the beginning, it's rather "dry". However, the best parts of the books is when Mr. Boretz talks about his firsthand accounts of his experiences working/performing with a temple troupe and the stories he's told by his different informants (that are within the temples he's researching) about a variety of subjects, ranging from funny anecdotes to tragic histories.
It's worth reading if you're just curious about the subject, but it's definitely worth it if you do research and/or want to have a greater understanding of temple culture or Din Tao aka Zhen Tou (temple performance troupes) as well as how ritual violence fits within traditional Chinese culture.
I would recommend this especially for people who study traditional Chinese martial arts and/or Lion Dancing if they are interested in understanding the roots of many traditional practices and concepts found within their martial/performance studies.
1 of 1 people found the following review helpful.
Even the compromises necessary to a university press publication (academic protocols) don't really get in the way of this amazin
By Benjamin Boretz
"Gods, Ghosts, and Gangsters" is a work of poetry, storytelling and ethnography - not as different components, but fused into a single mode of composition. Even the compromises necessary to a university press publication (academic protocols) don't really get in the way of this amazing series of narratives and reflections. Full disclosure: I am the author's father and watched this text evolve from start to finish - but I don't hesitate to speak as a fascinated reader to anyone who might be interested.
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