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Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa'dan Toraja, a predominantly Christian minority group in the world's most populous Muslim country. Celebrated in anthropological and tourism literatures for their spectacular traditional houses, sculpted effigies of the dead, and pageantry-filled funeral rituals, the Toraja have entered an era of accelerated engagment with the global economy marked by on-going struggles over identity, religion, and social relations.
- Sales Rank: #452876 in Books
- Brand: Brand: Univ of Hawaii Pr
- Published on: 2006-09-26
- Original language: English
- Number of items: 1
- Dimensions: 8.99" h x .77" w x 6.32" l, .95 pounds
- Binding: Paperback
- 286 pages
- Used Book in Good Condition
Review
-Winner 2009 Alpha Sigma Nu National Book Award
-"The unusual richness and appeal of this insightful book unfold in layers, delightful to read yet theoretically sophisticated."--Jill Forshee, author of Between the Folds
-"An excellent case study...with lively and beautifully written prose." -American Ethnologist
"An anthropology of art for these times, Art as Politics meticulously draws from scholarly works while building on the richness of its own history." -- Jill Forshee
About the Author
Kathleen Adams is a Professor of Anthropology at Loyola University Chicago and an Adjunct Curator at the Field Museum of Natural History. Previously she held the Mouat Endowed Chair in International Studies at Beloit College. Her research in Southeast Asia and the United States has been supported by the Fulbright Foundation, the American Philosophical Society and other foundations. In addition to Art as Politics, she is also coeditor of Home and Hegemony: Domestic Work and Identity Politics in South and Southeast Asia (Univ. of Michigan Press, 2000) and Everyday Life in Southeast Asia (Indiana University Press, 2011). Her articles on ethnic relations, cultural representations, tourism and the politics of arts have appeared in various journals, including American Ethnologist, Museum Anthropology, Cultural Survival Quarterly, Annals of Tourism Research, and Tourist Studies. In 2012 she was named as one of the nation's top 300 professors by The Princeton Review.
Most helpful customer reviews
6 of 6 people found the following review helpful.
fascinating book on Indonesian Toraja artists
By marcabru
Art as Politics is a thought provoking and very readable account of how tourism, world religions, and Indonesian politics have changed the lives and culture of the Toraja. (The Toraja people are a minority ethnic group on the island of Sulawesi.) What first attracted my attention was the striking carved portrait on the cover. The artistic skill of the Toraja artisans is truly noteworthy which gives this book a particular importance in understanding how culture shapes art. Adams describes in warm and vivid detail the changes the Toraja have faced over the past two decades and how this has affected their artistic productions as well as their attitudes about their art. In addition, the production quality of the color photos and other illustrations is praiseworthy. One thing that modern Western culture has obscured about art is the importance of social-cultural constraints and rewards. In the West we follow along with Romantic notions of Art as the product of the isolated genius. However, art generally was and probably still is mostly produced to serve social and religious purposes. Adams describes the complexities of the Toraja attitudes about their art and culture in the sometimes traumatic interplay of tradition and modern society that Indonesia has experienced since the 70s. While interested in the art of other cultures, I have only taken one college anthropology course, yet I had no difficulty following the points expressed. The people in this book really come alive and the author has a very readable and involving manner of expression. Armchair travelers, people interested in other cultures with strong religious traditions, and people interested in ethnic arts will love this book.
3 of 3 people found the following review helpful.
Wonderful and unique book!
By Indophile
Kathleen Adams' finely written book especially proves the value of an anthropologist studying with and knowing a group of people over decades--thus creating a rich cultural epic. This is a complex yet very readable account of the mountain dwelling Sa'dan Toraja of Sulawesi, Indonesia. The author illuminates histories (from a number of views), the inevitable dynamism of art forms, and honest ethnographic experiences. She brings to life the people in her book within intricate stories reflecting the pressures of history-- brilliantly linking art and life through the changes of time. This is an anthropology of art and of an Indonesian people that deeply resonates today. Rich in description and humanity, meticulous in references, theoretically sophisticated, and many-layered in meanings, the book is also refreshingly lively and engaging in writing style. A welcome break from overly jargonistic books that seem to be written for ten people to read. Anyone interested in learning of other cultures, Indonesia, the people of Toraja, artistic processes, the workings of history, good story-telling, and impressive cultural anthropology will enjoy this book. Really a gem.
3 of 8 people found the following review helpful.
Shows the poltics of Toraja art in a verrrryyyy slow and pointless way
By B. Dehghan
first off, I must say that the topic itself is not that bad, the author tries to demonstrate how the art of the Toraja people of Indonesians has been politicized (even though i disagree with her methods, she really brings too much personal emotion into her research). but i must say that the book seems to just keep on going on about something that could have been written about in half the length. she reuses the same concepts and experiences to create new chapters.....pretty disappointed
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