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Before becoming the second socialist country in the world (after the Soviet Union) in 1921, Mongolia had been a Buddhist feudal theocracy. Combatting the influence of the dominant Buddhist establishment to win the hearts and minds of the Mongolian people was one of the most important challenges faced by the new socialist government. It would take almost a decade and a half to resolve the “lama question,” and it would be answered with brutality, destruction, and mass killings. Chris Kaplonski examines this critical, violent time in the development of Mongolia as a nation-state and its ongoing struggle for independence and recognition in the twentieth century.

Unlike most studies that explore violence as the primary means by which states deal with their opponents, The Lama Question argues that the decision to resort to violence in Mongolia was not a quick one; neither was it a long-term strategy nor an out-of control escalation of orders but the outcome of a complex series of events and attempts by the government to be viewed as legitimate by the population. Kaplonski draws on a decade of research and archival resources to investigate the problematic relationships between religion and politics and geopolitics and biopolitics in early socialist Mongolia, as well as the multitude of state actions that preceded state brutality. By examining the incidents and transformations that resulted in violence and by viewing violence as a process rather than an event, his work not only challenges existing theories of political violence, but also offers another approach to the anthropology of the state. In particular, it presents an alternative model to philosopher Georgio Agamben’s theory of sovereignty and the state of exception.

The Lama Question will be of interest to scholars and students of violence, the state, biopolitics, Buddhism, and socialism, as well as to those interested in the history of Mongolia and Asia in general.

• Sales Rank: #1857488 in Books
• Published on: 2014-11-30
• Released on: 2014-11-30
• Original language: English
• Number of items: 1
• Dimensions: 9.60" h x 1.00" w x 6.20" l,
• Binding: Hardcover
• 280 pages

Review
The Lama Question ranks as one of the best books I have read on Soviet-era Mongolia, a book to be urged upon all those with an interest in the early revolutionary period, in the sociohistory of religion and, of course, in the disturbing and sadly ever-pertinent issue of state violence. (International Institute of Asian Studies Newsletter)

Review
Studies of state violence have mainly concentrated on the victims and the repercussions and circumstances of the violence. Insufficiently explored are the motivations and specific contexts behind the perpetrators of violence. Chris Kaplonski, in this sophisticated study of Mongolia in the twentieth century, shows that the birth and building of the modern nation-state involves more than revolutionary violence and state-induced terror. Kaplonski’s main point is that the Mongolian state’s violence beginning in the 1930s and later was a sign of its weakness, not its power. The Lama Question is a refreshing and entirely new perspective on Mongolia’s nation-building. It is also a bold and rare contribution to the study of the violence of the state. Extensively researched and brilliantly argued, the book helps to explain the politics of retribution, the problems surrounding truth commissions, and many other aspects related to the politics following state violence. (Manduhai Buyandelger, MIT)|This innovative book is the first to investigate state violence in early socialist Mongolia. Through his penetrating study of archives and personal memories, Kaplonski provides an extraordinary account of the brutal repression of Buddhism, along with a new critical argument about how such state interventions can be interpreted. This book is a must for all those interested in the modern history of Inner Asia. (Caroline Humphrey, King’s College, University of Cambridge)

About the Author
Chris Kaplonski is senior research associate and affiliated lecturer in the Mongolia & Inner Asia Studies Unit/Social Anthropology, University of Cambridge.

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0 of 0 people found the following review helpful.
Kaplonski at his best
By JPC
In The Lama Question, Christopher Kaplonski uses the example of political violence against Mongolian Buddhist lamas to interrogate Agamben’s theory of exception. Here, exception refers to the state’s ability to rely on extrajudicial means in times of crisis – ‘the state’ essentially being the one that can utilize extrajudicial, exceptional means when faced with crisis. Agamben roots his notion of exception in the idea of homo sacer – a Roman legal concept that denoted a person who was stripped of their citizenship and subject to execution. Kaplonski refines Agamben’s theory of exception to make use of it in the Mongolian case. There was no homo sacer in Mongolia – the early Mongolian state simply did not possess enough power to simply execute them. As far as states go, the Mongolian government of this period was liminal – it lacked the traditional authority of a state to impose the rule of law, and it also lacked the exceptional authority to resort to extrajudicial means. This liminality of the early Mongolian socialist state answers Kaplonski’s problematique, that is, ‘why did it take so long for the socialist Mongolian government to purge the lamas?’. Lacking power, the Mongolian government made a concerted effort to make the political violence experienced by the lamas fit within an existing legal framework. I’m not sure if it would be fair to characterize Kaplonski’s book as a revisionist history, partly because there is not much literature, at least in English, to be revised. The Lama Question does provide a necessary counter-balance to earlier works in English, such as Baabar’s From World Power to Soviet Satellite. Juxtaposing the two accounts, an irreconcilable irony develops: to refocus historical agency onto the Mongols, that is, to make them more than a ‘Soviet satellite,’ is also to hold them accountable to the purges. Kaplonski’s work also problematizes long-standing conceptions of the state, such as Weber’s famous dictum that the state is the entity/institution that can ‘make legitimate use of violence’. Kaplonski’s work demonstrates that the early Mongolian socialist state was in no position to make legitimate use of violence, and that it was only after the early Mongolian state attained a decree of judicial legitimacy that it could resort to violence at all.

0 of 13 people found the following review helpful.
?
By NHK
Husband bought it for school. I really don't know anything about it.

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Agricultural Ecology/Anthropology in Southeast Asis

• Sales Rank: #3362557 in Books
• Brand: Brand: University of Hawaii Press
• Published on: 1992-09-01
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .45" w x 5.51" l, .56 pounds
• Binding: Paperback
• 196 pages

Features

• Used Book in Good Condition

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? PDF Download Two Homelands (Latitude 20 Book), by Toyoko Yamasaki

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Kenji, must grapple with what it means to belong to two nations at war with one another and to face betrayal by both. Tadashi, in school in Japan when war breaks out, is drafted into the Japanese army and renounces his US citizenship. This novel tells the story of three brothers during the years surrounding World War II.

• Sales Rank: #912142 in Books
• Published on: 2007-11-06
• Original language: English
• Number of items: 1
• Dimensions: 8.93" h x 1.25" w x 6.49" l, 2.04 pounds
• Binding: Paperback
• 691 pages

From the Publisher
Two Homelands (Futatsu no sokoku) tells the powerful story of three brothers during the years surrounding World War II. From the attack on Pearl Harbor to the Pacific War, relocation to Manzanar, the atomic bombing of Hiroshima, and the Tokyo war crimes trials, we follow the lives of Kenji, Tadashi, and Isamu Amo, the California-born sons of Japanese immigrants. The eldest, Kenji, must grapple with what it means to belong to two nations at war with one another and to face betrayal by both. Tadashi, in school in Japan when war breaks out, is drafted into the Japanese army and renounces his U.S. citizenship. Later Kenji and Tadashi find themselves on opposite sides of a battlefield in the Philippines; although they both survive the conflict, their relationship is destroyed by the war. Isamu, the youngest and the most thoroughly American of the brothers, loves John Wayne movies and gives his life to rescue the lost Texas battalion fighting in France. Popular Japanese novelist Toyoko Yamasaki spent five years interviewing Japanese-Americans and researching documentary sources to assemble the raw material for her book. Through the story of the Amo family, she forces readers to confront the meaning of "love of country" as her characters encounter prejudice and suspicion on both sides of the Pacific. Almost a quarter century after its Japanese publication, this English-language translation affords a valuable opportunity to understand the postwar reassessment of what it means to be Japanese in the modern world.

About the Author
Toyoko Yamasaki was born in Osaka in 1924 and studied Japanese literature at Kyoto Women's University before joining the Mainichi Shinbun. While working as a journalist she befriended the prominent writer Yasushi Inoue. After receiving training from Inoue, Yamasaki began to write novels, and upon winning the prestigious Naoki Prize, she left journalism to devote herself to literature. She is the best-selling author of more than a dozen novels, including Bonchi. Two Homelands was serialized as the NHK television drama Sanga Moyu (Mountains and Rivers Burning) in 1984.

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2 of 2 people found the following review helpful.
A mile stone of the works of Toyoko Yamazaki
By Kenichiro Kira
This was a translation of Ms. Toyoko Yamazaki's work. Tha Japanese original title is "Futatsu no Sokoku." One of the best tools to learn about the struggles of Japanese descendants in the United States during the WW II in the literary format

2 of 3 people found the following review helpful.
Powerful book
By Barry Frank
A powerful and informative, if somewhat depressing novel about Japanese-Americans during WWII. Also watched "Toyo's Camera" a documentary about the same subject. 4 stars because the book tread lightly on most of the Japanese atrocities (some of which were documented in "Unbroken"), though in fairness the book is fiction. The book follows the experiences of a young man, who became a translator for the Allies, through the internment camp on to the battlefield after answering no-yes to the loyalty questions while one brother fought for the U.S. in Europe and another for the Japanese in the Philippines, where the two improbably confront each other on the battlefield and on to the post-war Tokyo trials (parallels of the Nuremberg trials and of which I was surprisingly unaware). It's a long book and stumbles a little in the translation from the original Japanese, but is based on many historical events.

As a side note: I would quarrel with the author's premise that the attack on Pearl Harbor wouldn't have been a surprise if the "14 part message" from Japan to the U.S. had been translated and delivered on time. In fact, the final (14th part) of the message only stated (in translation, of course) "it is impossible to reach an agreement through further negotiations." IMHO, this was barely an implicit breakoff in communications and in no way a declaration of war (formal or otherwise). Thus, I continue to see the Pearl Harbor attack as a surprise or sneak attack on an ostensibly neutral nation. Sorry to say, but I agree with the bumper sticker that said, "If there had been no Pearl Harbor, there would have been no Hiroshima." :(

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~~ PDF Ebook Oh, Where Is My Hairbrush? and Other Silly Songs (A VeggieTales Book), by Melinda Rumbaugh

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The Veggies are getting a little silly in this lift-the-flap book!

Based on the lyrics of favorite VeggieTales Silly Songs, this book with its rhyming verses and abundance of flaps will keep young readers entertained. Is it really a monkey just because it has a tail? Does Larry need a hairbrush if he has no hair? And just how does the yodeling veterinarian of the Alps heal his patients? We can't promise answers to these questions, but we can promise lots of laughter and giggling! Ages 2-5.

• Sales Rank: #1046468 in Books
• Brand: Worthy Publishing Group
• Published on: 2013-03-01
• Original language: English
• Number of items: 1
• Dimensions: 8.96" h x .50" w x 7.89" l, .90 pounds
• Binding: Board book
• 14 pages

About the Author
About the author: Melinda Rumbaugh grew up in Southern Illinois, reading past her bedtime whenever she could get away with it. As an editor at Ideals, books are still a big part of her life, athough stealth and flashlights are rarely necessary. She lives in Nashville, Tennessee, with her husband, Erik, and their two cats, Qwerty and Gizmo.

About the illustrators: Lisa Reed has been drawing pictures since she was old enough to hold a pencil. She began her career as a graphic artist for a screen print company and has been illustrating books for the past 15 years, including dozens of children's books.

Randle Paul Bennett graduated from the Ringling College of Art and Design in 2007 and has been working as a professional illustrator and commercial sculptor since 2005.

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1 of 1 people found the following review helpful.
Cute Little Book
By Destructor08
My daughter was interested in this book while we were shopping. She has a few flip and find books that she has liked very much so I knew that she would enjoy this as well.

It is a great little interactive book. The songs are cute, they are catchy for her. She knew almost all of the objects under the flaps so it wasn't as educational for her as it would have been other wise, which is fine because it is for entertainment purposes as well and has done well with that. It is good for her learning some more songs, and thinking about and discussing things. They added an educational fact on the difference between apes and monkeys( monkeys have tails, apes do not.)

The only thing that I think should have been different, and surprised me (probably since the characters are vegetables) is the fast food page. I definitely don't want her getting to know the idea of fast food chains and how "yummy" the food may be. A big part of the reason that I like the Veggie Tales is because they are likeable characters that may help children develop or keep an appeal for vegetables because they are a major importance to our diets at every age. Thankfully, this isn't too big of a deal for us because she has always liked her Vegetables anyways and probably will most likely not pick up on the fast food idea for a while from now unless we take her. We believe that positive reinforcement and modeling actions are a stronger persuasion and teaching tool than a page in a book, I just would have preferred it without the page.

Spoiler Alert:
I love that each page has you interact in a different way. For example, the first pages ask you to find the brush and to notice what else Larry would need to get ready. The second pages ask her to observe the messes that were made and to flip to see if they have cleaned each mess up. One of the pages has you find and count all the paper clips. Another part of the book asks for you to find the kids teddy and to see if the boy would need each item under the flaps to go to sleep (the song on that page is a little joke for the parents.) My daughter and I loved the yodeling veterinarian page, the veterinarian uniquely heals her patients with yodeling, and it asks your child to yodel for each sick animal then to flip the flaps to see if it worked.

It is a fun little story that I would recommend to some others.

1 of 1 people found the following review helpful.
For the veggie tales music fans
By Tonks Plum
My kiddo is a veggie tales fan, especially a fan of all veggie tales songs. When I gave her this book it was an instant hit. She enjoys the interactive part of lifting the flaps but also re-living some of her favorite songs anytime/anywhere.

It would be great if they created another one but with the Christian songs as a theme.

1 of 1 people found the following review helpful.
Wonderful book!
By AR
Kids will love this interactive book! Cute artwork accompany the songs kids love to sing. Is book is well put together.

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Oh, Where Is My Hairbrush? and Other Silly Songs (A VeggieTales Book), by Melinda Rumbaugh PDF
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* Download Ebook License to Play: The Ludic in Japanese Culture, by Michal Daliot-Bul

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Play is one of the most powerful cultural forces in contemporary Japan and in other late modern societies. In this notable contribution to our understanding of play, Michal Daliot-Bul explores the intricate and dynamic transformations of culture and play (asobi) in Japan. Along the way, she takes readers on a theoretically informed journey to better comprehend what makes play a significant cultural function, asking such questions as “How can we explain the dialectics between play as a biological instinct and play as a culturally specific activity? What defines the best player? How is creativity related to play? What is the difference between play and playfulness? Are some cultures more play-oriented than others, and if so, why?” Daliot-Bul argues that the cultural meaning of play and its influence on sociocultural life are not inherent properties of a fixed, universal behavior called play but rather are conditioned by changing cultural contexts and competing social ideologies.

Spanning Japan’s premodern period to the twenty-first century, the extent and expressions of play described in this book become thought-provoking lenses through which to view Japanese social dynamics and cultural complexities. As she approaches the post-industrialized 1970s in Japan, Daliot-Bul’s narrative also explores urban consumer culture as a system for organizing daily life, the tension between institutional and contemporary popular cultures, the production of new gender identities, and the cultural construction of urban space.

License to Play is an insightful and engaging work that will appeal widely to scholars and students specializing in cultural studies, cultural anthropology, and Japanese studies. Given the global fascination with Japanese popular culture and with play-like pleasures in late consumer cultures, the book will also find a readership among those interested in Japan in general and the universal phenomenon of play.

• Sales Rank: #1087875 in Books
• Published on: 2014-10-31
• Released on: 2014-10-31
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x 1.00" w x 6.30" l, 1.06 pounds
• Binding: Hardcover
• 224 pages

Review
Michal Daliot-Bul presents a theoretically ambitious cultural history of play (asobi) in Japan . . . [and] demonstrate with fascinating scholarship is the significant imbrication of play and the more sober realities of politics and economy and the everyday routines of social life. (Journal of Japanese Studies)

About the Author
Michal (Miki) Daliot-Bul is the head of the Japanese studies section of the Department of Asian Studies at the University of Haifa, Israel, and the academic committee of the Israeli Association of Japanese Studies.

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0 of 0 people found the following review helpful.
Playing, Seriously
By Charlie Canning
“Ludic” is not a word you hear very often. Its most common appearance is in “ludicrous”, something laughable or ridiculous. But as Michal Daliot-Bul makes clear in License to Play: The Ludic in Japanese Culture, throughout most of Japanese history the ludic had very little to do with looking ridiculous. Asobi was serious business.

As is often the case in Japanese culture, the height of refinement took place during the Heian period (794-1185) when members of the court played sophisticated poetry games that required an almost encyclopedic knowledge of the Chinese classics, the seasons, and the animal world. During the Edo period (1603-1868) the locus of play shifted to the sakariba or amusement district on the outskirts of town. Asobi came to be associated with "idleness and promiscuity." All you needed to enjoy yourself was free time and money in your pocket.

The final third of the book takes up the modern and postmodern periods. Dailot-Bul suggests that when it comes to play, Japan is already in the postmodern phase. In fact, play as we formerly understood it (a spontaneous and creative drive to try out alternative realities) may be already passé. What we have in its place is the suggestion of play in the form of iconography and simulacrum in which an object or a theme is meant to contain an experience of the original. (For more on this, see the work of science fiction writer Philip K. Dick.)

The critical thing about a simulacrum is that it be load-bearing. It has to be able to carry the weight of the world in a similar way that a flag or a religious symbol like the crucifix or the Star of David does. One might argue – and I would agree – that a toy or a cartoon character like Mickey Mouse was never intended to take the place of the Statue of Liberty. “Kitty-chan” was never meant to do the work of Fuji-san.

Those who see a progression of sorts in the postmodern slide into banality (what Philip Roth describes as “the moronic amusement park that is now universal”) would have us believe that it is value-neutral – that play is play and art is art no matter what the subject is or how it is expressed. We may not like it but the problem is ours. At such times, it is wise to quote a Japanese critic because they know precisely where the problem lies. In an aptly titled article “A denunciation of mass society and its apologists” that Dailot-Bul cites, Nishibe Susumu writes that “contemporary Japanese were not involved in mature and creative play but in a puerile play characterized by a ‘single minded pursuit of whatever is perceived to be amusing.’” (126) The article was written in 1986. What would Nishibe make of what passes for fun and games on the average Japanese commercial television show of today?

In many cultures around the world, the fall does not seem as precipitous as it does in Japan. Perhaps it is a question of history. In America, not much time passed between James McNeill Whistler, Winslow Homer, John Singer Sargent, and Andy Warhol’s soup can. But Japan. The land where the first novel was written and later illustrated in a graceful style that has not been equaled in a thousand years. Astonishing levels of mastery in letters, painting, sculpture, arts, crafts, theater, music, garden design. Leading to what? The neon playgrounds of Shinjuku?

More disturbing still is the marketing plan for “Cool Japan” that the government / business sector (Japan Inc.) is backing to co-opt and control media and art initially meant to be avant-garde or counter-cultural (like Ronald Reagan championing Bruce Springsteen). Yes, people around the world like Japanese youth culture but not because it has been given the seal of approval from the Ministry of International Trade and Industry (MITI). They like it because it exhibits resistance to an overwhelmingly oppressive power structure that is smothering their dreams.

After dissecting the concept and expressions of play in Japanese culture so astutely, Dailot-Bul ends License to Play rather blandly with a rumination on Maffesoli’s “pendulum of ‘moral life’”: In the future, Japan will most likely move between “a withdrawal into a more rigid and puritan mode of life” and a “‘postcapitalistic’ system” that can only be imagined. (144-146) Not exactly going out on a limb.

In fact, if there is a one shortcoming to Dailot-Bul’s thesis it is that it is too safe. While Dailot-Bul does hint at the dark side of play in the sakariba, manga, anime, and video games, she never fully engages with the fear, alienation, impotence, frustration, and rage at the base of it. The biggest elephant in the room is the hikikomori – hundreds of thousands of shut-in youths and men in young adulthood who don’t play with anyone. The hikikomori are never mentioned. Nor is suicide treated in any significant way.

The best thing that can be said about Dailot-Bul’s License to Play: The Ludic in Japanese Culture is that it is one of those books like Doi Takeo’s The Anatomy of Dependence or Miyamoto Masao’s Straightjacket Society that will forever change your way of thinking about Japan. Whether you choose to think differently is another matter.

From the review published in Kyoto Journal 84.

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A music book adapted from the well-known children's hymn.

There is not a lot known about C. Herbert Woolston, who wrote the words to this favorite Bible song in the 1800s. But the lyrics are thought to be based on the verse, 'Let the little children come to Me, and do not hinder them, for the kingdom of Heaven belongs to such as these' (Matthew 19:14).

Here, the lyrics have been expanded upon, and they acknowledge and celebrate the love of Jesus for all children, everywhere. Paired with colorful artwork and a music button, with the melody originally composed by George F. Root, this sturdy book will provide inspirational entertainment for little ones. Ages 2-5.

• Sales Rank: #1289560 in Books
• Brand: Worthy Publishing Group
• Published on: 2014-02-01
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .60" w x 7.00" l, .90 pounds
• Binding: Board book
• 16 pages

About the Author
Amanda Gulliver grew up in England and studied illustration and graphics at Redruth Art College in Cornwall. She has illustrated books for children of all ages -- including baby books, novelty books, and puzzle and activity books -- and designed hundreds of covers. She works in both traditional and digital media. Amanda lives in Bournemouth with her husband, two daughters, two cats, and lots of frogs (in the garden!).

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0 of 0 people found the following review helpful.
Toddler loves the button. Bu, I'd like to make this book disappear.
By Hollace
My 18 month old son loves pushing the button. The text is from the song. I have a problem with the illustration. The pictures of a bearded Jesus leading kids into the woods without any other adults makes me uneasy. Just one perspective. I've probably read/sang it too many times. I'd like to make this one disappear.

0 of 0 people found the following review helpful.
The book was in excellent condition and arrived just in time for me to ...
By Georgia Hahn
The book was in excellent condition and arrived just in time for me to take it on a missions trip to an orphanage in south Africa. Thanks so much!

0 of 0 people found the following review helpful.
Five Stars
By D. Black
Gave it as a new born baby gift. My own granddaughter loves her book.

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Features of the sixth edition of this full-color, topographic map of the Friendly Isle include detailed road networks, large-scale inset maps of towns, points of interest (historic, natural and cultural), hiking trails, parks, beaches, waterfalls, peaks and ridges (with altitudes), and more than 700 place names (index included). Most notably, Hawaiian words are spelled with all accent marks.

21 x 18 inches (unfolded), color

• Sales Rank: #1158653 in Books
• Published on: 2016-01-31
• Released on: 2016-01-31
• Original language: English
• Dimensions: 8.50" h x 4.00" w x .25" l,
• Binding: Map
• 2 pages

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^ Download PDF Voices in Revolution: Poetry and the Auditory Imagination in Modern China, by John A. Crespi

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China's century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun's seminal writings on literature to a recitation renaissance in urban centers today, poetics meets politics in the sounding voice of poetry. Supported throughout by vivid narration and accessible analysis. Voices in Revolution offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary, and postsocialist culture. John Crespi brings the past to life by first examining the ideological changes to poetic voice during China's early twentieth-century transition from empire to nation. He then traces the emergence of the spoken poem from the May Fourth period to the present, including its mobilization during the Anti-Japanese War, its incorporation into the student protest repertoire during China's civil war, its role as a conflicted voice of Mao-era revolutionary passion, and finally its current adaptation to the cultural life of China's party-guided market economy. Voices in Revolution offers an accessible yet conceptually fresh and often dramatic narration of China's modern literary experience.

• Sales Rank: #3458033 in Books
• Published on: 2009-08-18
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .90" w x 6.10" l, 1.00 pounds
• Binding: Hardcover
• 228 pages

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• Sales Rank: #1760731 in Books
• Brand: Brand: Univ of Hawaii Pr
• Published on: 1999-06-28
• Original language: English
• Number of items: 1
• Dimensions: 9.15" h x .77" w x 6.11" l, .93 pounds
• Binding: Paperback
• 232 pages

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17 of 17 people found the following review helpful.
A new perspective on an interesting region
By A Customer
After an historical overview of the upper-Mekong region this book provides four case studies that illustrate the growth in cross Mekong trade over the past decade. The case studies examine cross river boat operators, long distance truck and boat operators, long distance traders and the export trade in Lao timber. My favorite was the study of long distance traders, which illustrates how Lao women have come to play an important part in this trade. The study of cross river boat operators is also a detailed ethnographic account of life on the border. The theoretical perspective on regulation (while I did not agree with it at times) provides a productive new approach to the study of national borders. The author's claim that open borders can be more regulated that the closed borders they have replaced is bound to spark some interesting debate. This is a valuable book for those with an interest in the Mekong region, borders and the ethnography of northern Thailand and Laos.

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** Download Integrated Korean Workbook: Intermediate 2 (KLEAR Textbooks in Korean Language) (Korean Edition), by Mee-Jeong Park, Sang-Suk Oh, Joowon S

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This workbook accompanies the thoroughly revised edition of Integrated Korean: Intermediate 2 , the fourth volume of the best-selling series developed collaboratively by leading classroom teachers and linguists of Korean. All series' volumes have been developed in accordance with performance-based principles and methodology--contextualization, learner-centeredness, use of authentic materials, usage-orientedness, balance between skill getting and skill using, and integration of speaking, listening, reading, writing, and culture. Grammar points are systematically introduced in simple but adequate explanations and abundant examples and exercises. Each situation/topic-based lesson of the main texts consists of model dialogues, narration, new words and expressions, vocabulary notes, culture, grammar, usage, and English translation of dialogues. In response to comments from hundreds of students and instructors of the first edition, this new edition features a more attractive two-colour design with all new photos and drawings and an additional lesson and vocabulary exercises. Lessons are now organized into two main sections, each containing a conversational text (with its own vocabulary list) and a reading passage. This workbook, newly written, provides students with extensive skill-using activities based on the skills learned in the main text.

• Sales Rank: #115714 in Books
• Published on: 2013-02-28
• Original language: English
• Number of items: 1
• Dimensions: 10.90" h x .60" w x 8.50" l, 1.00 pounds
• Binding: Paperback
• 209 pages

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0 of 0 people found the following review helpful.
found these workbooks to be super helpful since my professor graded and corrected them as ...
By Flynt86
Purchased for class, found these workbooks to be super helpful since my professor graded and corrected them as homework assignments. I would have given 5 stars if not for the fact that, as others have noted, there should be an answer key available. Without being able to check your answers or having a professor who can do so for you, these workbooks serve absolutely no purpose.

0 of 0 people found the following review helpful.
Great book for learning Korean
By Victoria F.
Great book for learning Korean. The accompanying website is a little lacking (needs to be updated), but overall a great buy. I do have a teacher that goes thru the book and workbook with me, but I think it would work perfectly for self-learners as well.

0 of 0 people found the following review helpful.
Good.
By Lily
Good and useful.

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This workbook accompanies the thoroughly revised edition of Integrated Korean: Beginning 2, the second volume of the best-selling series developed collaboratively by leading classroom teachers and linguists of Korean. All series' volumes have been developed in accordance with performance-based principles and methodology-contextualization, learner-centeredness, use of authentic materials, usage-orientedness, balance between skill getting and skill using, and integration of speaking, listening, reading, writing, and culture. Grammar points are systematically introduced in simple but adequate explanations and abundant examples and exercises. Each situation/topic-based lesson of the main texts consists of model dialogues, narration, new words and expressions, vocabulary notes, culture, grammar, usage, and English translation of dialogues. In response to comments from hundreds of students and instructors of the first edition, this new edition features a more attractive two-color design with all new photos and drawings and an additional lesson and vocabulary exercises. Lessons are now organized into two main sections, each containing a conversational text (with its own vocabulary list) and a reading passage. The accompanying workbook, newly written, provides students with extensive skill-using activities based on the skills learned in the main text.

• Sales Rank: #84422 in Books
• Published on: 2010-08-03
• Original language: English
• Number of items: 1
• Dimensions: 10.90" h x .60" w x 8.40" l, 1.45 pounds
• Binding: Paperback
• 234 pages

Most helpful customer reviews

7 of 7 people found the following review helpful.
Almost great for self study.
By Nyoko
This book is required for a language class I take. What I like about it, is it's easy to use and it's easy to access the audio online. You don't need an account or cd's or what not. Since Korean is pretty much a hard language to find in most Southern California community colleges, Cal States, and Universities, I know nothing of other Korean workbooks to compare this too. The color coding system for all the levels also make it very easy to know which book you need to purchase when starting and when continuing with your Korean education. The pages are prefforated for those who would like something like that or are required to remove pages to turn in for credit.

Here's why I gave the product only 3 stars. I noticed that there is no answer key. There is one in the back nor is there one available online. This makes it very difficult to go back and see if you're wrong or not (as asking your Korean-speaking friend or teacher can be impracticle sometimes especially when it comes to writing what you think you hear). My teacher posted answer keys she said the company gave her for educational purposes but many of those answer keys contained the wrong assignments as well as answers leaving a large percentage of it useless for many chapters. Because the companhy has YET to produce an answer key the majority of their students can use for studying purposes my teacher was also forced to make her own answer key for her advanced classes. Supposedly the company has been saying they'd produce an answer key for almost over a year now.

Except for that one huge issue, this work book is a great companion to the text book and the ease of access to the audio files online makes it still very much worth it's purchase in my opinion. I do all the assignments in the workbook to thoroughly prepare me for the lesson tests I have and I feel confident in my knowledge of the material and my test scores reflect that. This book is relatively sturdy for a paperback.

6 of 7 people found the following review helpful.
Very good book
By kooieuee
Hello,
I'm new to this language all together. I'm really into learning korean, I watch so many K-Dramas and listen to K-pop. So it was really hard for me to decide what kind of textbooks i should get. After reading so many reviews, i had ended up getting this textbook series. I have to say that i have learned alot in the first book, and i'm ready to for the second. In many reviews people seem to complain alot about the audio not being mp3 format, or the $195 aduio cds that can be purchased. Well i was able to get the audio on my ipod, so im able to listen to the audio were every i go. (Macbook Pro, it was easy using my laptop) Advice to people who are self-study, this is a must have book. The lesson aren't "Fast" they can become like that if you don't take your time to study the vocab.

3 of 3 people found the following review helpful.
Korean for Beginners (2)
By :)
I haven't used this yet, I got it for KOR 102 but dropped the class before it started. I plan on taking it in the Fall, though!

I used the Beginning 1 workbook, and it was great! It's really easy, but not too easy. I was reluctant to write in it at first (I wanted to be able to sell it after the class ended). The only drawback about this workbook: the Klear textbook website does not have the answers, so you have to ask a Professor or someone who speaks Korean to check it for you :/

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