Jumat, 30 Januari 2015

^ Ebook Free Fertile Disorder: Spirit Possession and Its Provocation of the Modern, by Kalpana Ram

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Fertile Disorder: Spirit Possession and Its Provocation of the Modern, by Kalpana Ram

In her innovative new book, Kalpana Ram reflects on the way spirit possession unsettles some of the foundational assumptions of modernity. What is a human subject under the varied conditions commonly associated with possession? What kind of subjectivity must already be in place to allow such a transformation to occur? How does it alter our understanding of memory and emotion if these assail us in the form of ghosts rather than as attributes of subjective experience? What does it mean to worship deities who are afflictive and capricious, yet bear an intimate relationship to justice? What is a "human" body if it can be taken over by a whole array of entities? What is agency if people can be "claimed" in this manner? What is gender if, while possessed, a woman is a woman no longer?

Drawing on spirit possession among women and the rich traditions of subaltern religion in Tamil Nadu, South India, Ram concludes that the basis for constructing an alternative understanding of human agency need not rest on the usual requirements of a fully present consciousness or on the exercise of choice and planning. Instead of relegating possession, ghosts, and demons to the domain of the exotic, Ram uses spirit possession to illuminate ordinary experiences and relationships. In doing so, she uncovers fundamental instabilities that continue to haunt modern formulations of gender, human agency, and political emancipation. Fertile Disorder interrogates the modern assumptions about gender, agency, and subjectivity that underlie the social improvement projects circulating in Tamil Nadu, assumptions that directly shape people’s lives. The book pays particular attention to projects of family planning, development, reform, and emancipation.

Combining ethnography with philosophical argument, Ram fashions alternatives to standard post-modernist and post-structuralist formulations. Grounded in decades of fieldwork, ambitious and wide ranging, her work is conceived as a journey that makes incursions into the unfamiliar, then returns us to the familiar. She argues that magic is not a monopoly of any one culture, historical period, or social formation but inhabits modernity―not only in the places, such as cinema and sound recording, where it is commonly looked for, but in "habit" and in aspects of everyday life that have been largely overlooked and shunned.

Fertile Disorder will be of interest to a wide range of scholars in anthropology, religion, gender studies, subaltern studies, and post colonial theory.

  • Sales Rank: #3257262 in Books
  • Brand: Brand: Univ of Hawaii Pr
  • Published on: 2013-01-31
  • Released on: 2013-01-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.20" w x 6.00" l, 1.45 pounds
  • Binding: Hardcover
  • 336 pages
Features
  • Used Book in Good Condition

About the Author
Ram-Macquarie University, Sydney

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Kamis, 29 Januari 2015

* PDF Ebook Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000From University of Hawaii Press

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Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000From University of Hawaii Press

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Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000From University of Hawaii Press

Research outside Japan on the history and significance of the Japanese visual arts since the beginning of the Meiji period (1868) has been, with the exception of writings on modern and contemporary woodblock prints, a relatively unexplored area of inquiry. In recent years, however, the subject has begun to attract wide interest. As is evident from this volume, this period of roughly a century and a half produced an outpouring of art created in a bewildering number of genres and spanning a wide range of aims and accomplishments. Since Meiji is the first sustained effort in English to discuss in any depth a time when Japan, eager to join in the larger cultural developments in Europe and the U.S., went through a visual revolution. Indeed, this study of the visual arts of the nineteenth and twentieth centuries suggests a fresh history of modern Japanese culture―one that until now has not been widely visible or thoroughly analyzed outside that country.

In this extensive collection, which includes some 190 black-and-white and color reproductions, scholars from Japan, Europe, Australia, and America explore an impressive array of subjects: painting, sculpture, prints, fashion design, crafts, and gardens. The works discussed range from early Meiji attempts to create art that referenced Western styles to postwar and contemporary avant-garde experiments. There are, in addition, substantive investigations of the cultural and intellectual background that helped stimulate the creation of new and shifting art forms, including essays on the invention of a modern artistic vocabulary in the Japanese language and the history of art criticism in Japan, as well as an extensive account of the career and significance of perhaps the best-known Japanese figure concerned with the visual arts of his period, Okakura Tenshin (1862–1913), whose Book of Tea is still widely read today.

Taken together, the essays in this volume allow readers to connect ideas and images, thus bringing to light larger trends in the Japanese visual arts that have made possible the vitality, range, and striking achievements created during this turbulent and lively period.

Contributors: Stephen Addiss, Chiaki Ajioka, John Clark, Ellen Conant, Mikiko Hirayama, Michael Marra, Jonathan Reynolds, J. Thomas Rimer, Audrey Yoshiko Seo, Eric C. Shiner, Lawrence Smith, Shuji Tanaka, Reiko Tomii, Mayu Tsuruya, Toshio Watanabe, Gennifer Weisenfeld, Bert Winther-Tamaki, Emiko Yamanashi.

  • Sales Rank: #2750345 in Books
  • Published on: 2011-10-31
  • Released on: 2011-10-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.10" h x 1.30" w x 7.20" l, 2.60 pounds
  • Binding: Hardcover
  • 584 pages

About the Author
J. Thomas Rimer is professor emeritus of Japanese literature at the University of Pittsburgh. He has been the author, editor, or translator of many books, most recently two co-edited volumes, Traditional Arts and Culture: An Illustrated Sourcebook (2006) and The Columbia Anthology of Modern Japanese Literature (2005).

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1 of 1 people found the following review helpful.
I think this book would be great for someone hoping to get a general idea about ...
By racheytonk
Nothing in this book is absolutely incorrect, but many ideas are framed in highly simplistic ways. This gives the reader a very watered-down impression of the events of the time. I appreciate the effort, and it was interesting to read, but every time I delved deeper into a subject from the book, I found that there was much more complexity than Since Meiji presents.

I think this book would be great for someone hoping to get a general idea about Japanese art since Meiji, but I don't recommend it as a reliable source for research.

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Selasa, 27 Januari 2015

@ Ebook Free The Shaolin Monastery: History, Religion, and the Chinese Martial Arts, by Meir Shahar

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The Shaolin Monastery: History, Religion, and the Chinese Martial Arts, by Meir Shahar

"The Shaolin Monastery" charts, for the first time in any language, the history of the Shaolin Temple and the evolution of its world-renowned martial arts. In this meticulously researched and eminently readable study, Meir Shahar considers the economic, political, and religious factors that led Shaolin monks to disregard the Buddhist prohibition against violence and instead create fighting techniques that by the twenty-first century have spread throughout the world. He reveals the intimate connection between monastic violence and the veneration of the violent divinities of Buddhism and analyzes the Shaolin association of martial discipline and the search for spiritual enlightenment.

  • Sales Rank: #634809 in Books
  • Published on: 2008-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .70" w x 6.10" l, 1.10 pounds
  • Binding: Paperback
  • 296 pages

Review
"A long-awaited, in-depth look into the complex political, military, and hygienic factors surrounding the monastery's involvement in martial arts. . . . This is clearly a pioneering book, and Shahar, a qualified scholar, has documented his material in a manner that will allow others to pursue the provocative questions he raises."

"A real gift to martial arts enthusiasts and historians alike. Combining scholarly caution and respectful appreciation, Shahar shows how much and how little can be learned about the origins of the monastery in the fifth century, its close relationship with the Tang emperors (618-907), its flowering as a religious and military institution in the Ming dynasty (1368-1644), and the suspicion with which it was regarded by the Qing state (1644-1911). . . . This refreshingly original study is indispensable for understanding both the history and the hype."

From the Publisher
"Written in clear and lucid style and ambitious both in scope and methodology, this book offers a fascinating window into Chinese culture, religion, and history. Ranging from historical and ethnographic documents to a wide variety of literary sources, it weaves them all into a compelling narrative. In this fashion, Shahar is uniquely able to bring together social, historical, and mythological elements, providing a demythologized account of martial Chinese traditions such as Shaolin Boxing. This is sinology at its best."--Bernard Faure, Columbia University

"The book clearly belongs in a new group of books challenging conventional understandings of Buddhism and violence. Meir Shahar documents with meticulous accuracy and mellifluous prose the fighting monks of Shaolin monastery in China, who appear first in the Tang dynasty (618-907) and continue to the present. Scholars of Buddhism and Chinese history will learn much from the author's scrupulous analysis of the historical record--particularly the texts on stone steles at the monastery--that documents the monastery's traditions of fighting. Anyone interested in martial arts or Bruce Lee films will find it fascinating to learn about the actual history of the monastery's fighting techniques. I found the book a powerful and compelling read." --Valerie Hansen, Yale University

"Meir Shahar's book will assure that the martial arts of Shaolin take a prominent place in the history of Chinese Buddhism. Shahar has mastered a prodigious amount of secondary scholarship, pored over a wealth of primary documents, and brought a critical rigor to the study of these materials that is unprecedented in any language. Throughout, his analysis is cogent and clear. The result is a delightful tour of one of the most enigmatic and compelling stories of Chinese religion: the emergence and development of martial arts at Shaolin Si. Entertaining as the book is, it delivers as well a meditation on the sources of Chinese religion, and how fiction and scripture, myth and history combine to produce novel traditions. The Shaolin Monastery will appeal not only to scholars of Chinese religion, but to those interested in military history, self-cultivation, martial arts, and popular culture."--John Kieschnick, University of Bristol

The Shaolin Monastery charts, for the first time in any language, the history of the Shaolin Temple and the evolution of its world-renowned martial arts. In this meticulously researched and eminently readable study, Meir Shahar considers the economic, political, and religious factors that led Shaolin monks to disregard the Buddhist prohibition against violence and instead create fighting techniques that by the twenty-first century have spread throughout the world. He examines the monks' relations with successive Chinese regimes, beginning with the assistance they lent to the seventh-century Emperor Li Shimin and culminating more than a millennium later with their complex relations with Qing rulers, who suspected them of rebellion. He reveals the intimate connection between monastic violence and the veneration of the violent divinities of Buddhism and analyzes the Shaolin association of martial discipline and the search for spiritual enlightenment.

Shahar's exploration of the evolution of Shaolin fighting techniques serves as a prism through which to consider martial-art history in general. He correlates the emergence of the famous bare-handed techniques of Taiji Quan, Xingyi Quan, and Shaolin Quan in the sixteenth and seventeenth centuries to the social, political, and religious trends of that age. He then goes on to argue that these techniques were created not only for fighting, but also for religious and therapeutic purposes. Thus his work fills an important gap in the understanding of Chinese religion and medicine as well as the martial arts.

The Shaolin Monastery is the most exhaustive study to date on the topic and the most systematic introduction to the history and the religious context of the Chinese martial arts tradition. It will engage those interested in Chinese religion and history and martial arts, illuminating for specialists, martial artists, and general readers alike the history and nature of a martial tradition that continues to grow in popularity in its native land and abroad.

About the Author
Meir Shahar is associate professor in the Department of East Asian Studies, Tel Aviv University.

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1 of 2 people found the following review helpful.
Among the best books on martial arts history
By Paul Seaman
Just wanted to add another five-star review, in agreement with what others have already written. "The Shaolin Monastery" is unexpectedly engaging and FUN to read for such an impressively scholarly work. Shahar's historical/anthropological examination of HOW mythologies (often assumed to be facts) develop is a unique contribution among many of this valuable book. Regretably, I don't have time to review the many good books I've read, purchased on Amazon, but this one really deserves highlighting.

Readers should note that The Shaolin Grandmasters' Text: History, Philosophy, and Gung Fu of Shaolin Ch'an, which Amazon has tagged along with this book, is not at all in the same league. It has anonymous authorship (always a bad sign) and is self-published by the somewhat suspect "Order of Shaolin Ch'an" (another bad sign). While "Grandmasters" discusses some interesting topics and seems to be somewhat knowledgeable, offering descriptions of various forms and styles, it should be viewed as a completists' (i.e., for a thorough collection) and not the most advisable introduction. American Shaolin: Flying Kicks, Buddhist Monks, and the Legend of Iron Crotch: An Odyssey in theNew Chinais marvelously entertaining firsthand account of a young American training at today's Shaolin Temple. But for history, "Shaolin Monastery" if by far the best source.

21 of 22 people found the following review helpful.
Academically rigourous and thoroughly readable
By Eli Moshe
I came to this work as both an academic and a practitioner of a Shaolin style of pushing hands. The evolution of the Shaolin arts from staff fighting to unarmed styles is explored in great detail from a variety of sources (many of which are primary and have been translated here for the first time).

This is one of the first books I've read that makes a scholarly attempt at explaining how the Buddhist monks of Shaolin successfully negotiated the cognitive dissonance caused by commitment to Buddhist principles of non-violence on one hand and mastery of martial arts on the other.

The book also succeeds in recognising and clarifying the role of Daoist thought and cultivation practices (namely the Dao Yin) in the development of Shaolin Gung Fu.

Some of the conclusions (especially in relation to the unarmed styles) lend some support to Nathan Johnson's (2000) thesis 'Barefoot Zen'. After long and careful study of the forms of Shaolin Gung Fu and Karate Kata, Johnson contended that these arts were never intended for fighting (whereas Shahar would likely contend that fighting was not their sole purpose, p.180 and p.200).

5 of 6 people found the following review helpful.
An excellent historical resource
By Jeffrey K. Mann
Unfortunately, quality academic work on subjects related to martial arts is in very short supply. With the appearance of Shahar's book, however, we have a first-rate addition to current scholarship. It is most welcome.

Having earned his doctorate at Harvard, Shahar currently teaches at Tel Aviv University in Israel. The Shaolin Monastery is his third book related to the intersection of Chinese history and religion, following Crazy Ji: Chinese Religion and Popular Culture (1998) and his work as co-editor of Unruly Gods: Divinity and Society in China (1996). In this most recent work, Shahar traces the history of the famous Shaolin Temple from the 6th century to the present day. With a remarkable grasp of the historical materials, he presents the early development and mythology surrounding the monastery's military exploits during the Tang Dynasty, its evolution during the Ming, disintegration through the Qing, and recent revival in the last fifty years. Along the way, historical misperceptions and legends are dealt with critically. In doing so, however, Shahar avoids the tendency of too many historians to giddily deconstruct popular beliefs with an iconoclasm that betrays a snooty elitism on the part of the researcher. Shahar prefers to uncover, explain, and clarify, not gleefully tear down.

This book should put an end to those arguing that Bodhidharma did indeed introduce physical exercise of any sort to Shaolin. As Shahar points out, the Shaolin monks did not even sell that story until the mid-Qing dynasty (c. 18th century). Likewise, he demonstrates that empty-handed fightings styles, both historical and contemporary, that claim to have originated at Shaolin are equally dubious. Anyone today claiming to practice martial arts with their roots in Shaolin - aside from modern wushu - will be hard pressed to do so after reading this book.

Shahar's historical research is, as mentioned above, first rate. However, readers who are looking for information on the nuts and bolts of Chinese martial arts will be sorely disappointed. There is almost no discussion of technique or principles of combat, leaving the reader wondering at times if Shahar has ever spent time training in martial arts himself. When Shahar quotes Cao Huandou, who criticizes those who "strain their muscles and expose their bones, waste their energy and use force," Shahar concludes, "Evidently, some artists considered the martial aspect of their technique secondary to the spiritual one." (171) Here, Shahar seems to equate straining with an emphasis on martial practice, as distinct from a more relaxed spiritual pursuit. This glaring ignorance of Chinese martial arts demonstrates Shahar's lack of understanding of the practice of these arts.

Additionally, while Shahar addresses issues that relate to the religious tension that exists when Buddhist monks train for and engage in violence, he provides no new insights or penetrating analysis. He has a clear grasp of the fundamentals of Buddhism and Taoism, but this is not the work of a scholar of religion. His surprise at a story of Buddhist monks being physically aggressive with each other was actually a surprise to me. He writes, "The violence and abuse [taking place between monks] recorded by Zhang Zhuo seem hardly fit for a Buddhist temple." (37) It would appear that Shahar has spent very little time reading of Chinese and Japanese Buddhists in the Ch'an/Zen tradition, for whom physical acts of striking, slapping, kicking, and other physical abuse is hardly out of the ordinary.

The comments above, however, should not be read as criticism. Shahar is an historian writing a history of the Shaolin Temple. In that task he has done an exemplary job. A book cannot be all things to all people, so potential readers should know what a book is, and what it is not. In the task he set out to accomplish, Shahar should be commended.

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Senin, 26 Januari 2015

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Death and the Afterlife in Japanese BuddhismFrom Brand: Univ of Hawaii Pr

For over a 1000 years, Buddhism has dominated Japanese death rituals and concepts of the afterlife. The nine essays here, ranging chronologically from the tenth century to the present, bring to light both continuity and change in death practices over time.

  • Sales Rank: #1090255 in Books
  • Brand: Brand: Univ of Hawaii Pr
  • Published on: 2008-09-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x 1.50" w x 6.20" l, 1.60 pounds
  • Binding: Hardcover
  • 382 pages
Features
  • Used Book in Good Condition

About the Author
Jacqueline I. Stone is professor of Japanese religions in the Religion Department of Princeton University. Mariko Namba Walter is a research associate at the Edwin O. Reischauer Institute of Japanese Studies and the Fairbank Center for East Asian Research at Harvard University.

Mariko Namba Walter is a visiting professor at Bucknell University, Lewisburg, PA, and teaches on shamanism and Asian religions.

Most helpful customer reviews

10 of 10 people found the following review helpful.
"Ashes to Ashes"
By Crazy Fox
Perhaps because it's a religious tradition that emphasizes impermanence, Buddhism often gets saddled with handling funerals. In Japan this holds especially true, and generally for the average person there Buddhism is primarily if not exclusively associated with funerary rites (to the point that a wide-eyed 20-something's interest in the religion can strike them as mildly morbid). These rites clearly make for Buddhism's most prominent role in society and are thus the economic backbone maintaining its institutional presence, about which a multitude of key doctrinal and ritual phenomena cluster as well. And yet scholarly studies of Japanese Buddhism tend to avoid this subject like the plague.

Well, except for this fine collection of articles with a deceptively dull title. "Death and the Afterlife in Japanese Buddhism" rushes in where other studies fear to tread, exploring this key aspect of Buddhism as it has developed in Japan with exemplary depth and breadth. The assorted articles range in time from the early Heian to the contemporary present and cover a good variety of schools and disparate Buddhist traditions. Some articles are extremely specific, focusing for example on one apocryphal sutra and the beliefs and practices surrounding it, while others step back and consider the larger issues and ramifications of, say, the disconnect between certain Buddhist teachings and certain Buddhist funerary practices. Each article is of high scholarly caliber and yet eminently readable, and each is interesting, informative, or thought-provoking in its own manner. If I had to pick one, though, Mariko Walter's article unearthing the underlying pan-sectarian structure of Buddhist funerals is in particular a priceless resource repaying repeated reference. But the collection as a whole is a dead-on indispensable addition to the library of anyone seriously interested in Japanese Buddhism.

Articles included in this book:
1. "Mukaeko: Practice for the Deathbed" by Sarah Johanna Horton
2. "With the Help of 'Good Friends': Deathbed Ritual Practices in Early Medieval Japan" by Jacqueline I. Stone
3. "Beyond Death and the Afterlife: Considering Relic Veneration in Medieval Japan" by Brian O. Ruppert
4. "Collective Suicide at the Funeral of Jitsunyo: Mimesis or Solidarity?" by Mark L. Blum
5. "At the Crossroads of Birth and Death: The Blood Pool Hell and Postmortem Fetal Extraction" by Hank Glassman
6. "Funerary Zen: Soto Zen Death Management in Tokugawa Japan" by Duncan Ryuken Williams
7. "The Structure of Japanese Buddhist Funerals" by Mariko Namba Walter
8. "The Price of Naming the Dead: Posthumous Precept Names and Critiques of Contemporary Japanese Buddhism" by Stephen G. Covell
9. "The Orthodox Heresy of Buddhist Funerals" by George J. Tanabe, Jr.

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The Painted King: Art, Activism, and Authenticity in Hawaii, by Glenn Wharton

The famous statue of Kamehameha I in downtown Honolulu is one of the state’s most popular landmarks. Many tourists―and residents―however, are unaware that the statue is a replica; the original, cast in Paris in the 1880s and the first statue in the Islands, stands before the old courthouse in rural Kapa‘au, North Kohala, the legendary birthplace of Kamehameha I. In 1996 conservator Glenn Wharton was sent by public arts administrators to assess the statue’s condition, and what he found startled him: A larger-than-life brass figure painted over in brown, black, and yellow with “white toenails and fingernails and penetrating black eyes with small white brush strokes for highlights. . . . It looked more like a piece of folk art than a nineteenth-century heroic monument.”

The Painted King is Wharton’s account of his efforts to conserve the Kohala Kamehameha statue, but it is also the story of his journey to understand the statue’s meaning for the residents of Kapa‘au. He learns that the townspeople prefer the “more human” (painted) Kamehameha, regaling him with a parade, chants, and leis every Kamehameha Day (June 11). He meets a North Kohala volunteer who decides to paint the statue’s sash after respectfully consulting with kahuna (Hawaiian spiritual leaders) and the statue itself. A veteran of public art conservation, Wharton had never before encountered a community that had developed such a lengthy, personal relationship with a civic monument. Going against the advice of some of his peers and ignoring warnings about “going native,” Wharton decides to involve the people of Kapa‘au in the conservation of their statue and soon finds himself immersed in complex political, social, and cultural considerations, including questions about representations of the Native Hawaiian past: Who should decide what is represented and how? And once a painting or sculpture exists, how should it be conserved?

The Painted King examines professional authority and community involvement while providing a highly engaging and accessible look at “activist conservation” at work, wherever it may be found.

  • Sales Rank: #1026551 in Books
  • Published on: 2011-11-30
  • Released on: 2011-11-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.80" h x .60" w x 6.90" l, 1.40 pounds
  • Binding: Paperback
  • 232 pages

From the Publisher
"The Painted King will be essential reading for creators, curators, and devotees of public art." --David Lowenthal, University College London; author of The Past Is a Foreign Country

"A path-breaking volume in conservation studies, The Painted King is certain to prompt readers to think further about the relationship between community and conservation in Hawaiian art, identity, and history." --Stacy L. Kamehiro, author of The Arts of Kingship: Hawaiian Art and National Culture of the Kalâkaua Era

"This remarkable book reads more like a mystery novel than an account of the cultural politics of art conservation in a rural Hawai`i community. It is highly original--a personal reflection that is both accessible and deeply thoughtful about the ethics of research, public art, and cultural intervention." --Geoffrey White, Department of Anthropology, University of Hawai`i at Mânoa

"This gracefully written work addresses issues that transcend the world of art conservation. I highly recommend it to anyone interested in discovering a model of successful collaboration between the academy and the community." --Kalena Silva, professor of Hawaiian studies and director, Ka Haka Ê»Ula O KeÊ»elikôlani College of Hawaiian Language, University of HawaiÊ»i at Hilo

"Glenn Wharton combines a deep knowledge of art conservation and its professional problems, an intensive study of a statue, and a profound sociological understanding of community structure to tell a compelling story of the conflicts that lie behind the practice of conserving works of art." --Howard S. Becker, author of Art Worlds

"America's public sculptures offer on-site education opportunities for history, language arts, art, and service learning. Wharton's deliciously readable book illustrates these diverse access points." --Susan Nichols, Lunder Education Chair, Smithsonian American Art Museum, and former founding director of Save Outdoor Sculpture!

"Who or what should decide the fate of a public sculpture? The ideas of the artist who created it, the conservator, or the community that interacts with it daily? In this page-turner, Wharton confronts this and other important questions." --Adrienne Kaeppler, curator, oceanic ethnology, National Museum of Natural History, Smithsonian Institution

About the Author
A conservator at the Museum of Modern Art, Glenn Wharton cares for video, performance, and electronic collections. He is also research scholar in New York University's Museum Studies Program, teaching graduate courses on the conservation of cultural heritage.

Most helpful customer reviews

2 of 2 people found the following review helpful.
You will not be disappointed!
By Jim S.
I have heard many different stories with regards to North Kohala's King Kamehameha sculpture over the years and had always hoped to get a more definitive, detailed explanation of the King's history. The book, The Painted King, is what I had hoped for and much, much more. This book was a wonderful read, rich in history of the Big Island's North Kohala district as well as a wonderful revelation of it's great sense of community. This book is a must read for anyone who has ever seen the Painted King, or who intends to see him! In addition to being a great read on the history of North Kohala you also get a fantastic look into the dedication of Glenn Wharton, and what is involved in art restoration projects that we all may take for granted. The author's honesty and well written approach to this restoration project is simply another reason you will want to read this book. You will not be disappointed.

2 of 2 people found the following review helpful.
Art conservation with human kindness, ethics, & respect.
By Janey Bennett
Things in life are rarely simple, but the story of the assignment to do preservation on a statue in Hawai'i, a statue that had been absorbed into the local culture in unusually complex ways, and of Wharton's attempt to adjudicate which of the local population's positions were the ones that most reflected the overall intention of the people toward this iconic statue, his journey of learning where the culture's values lay, how they'd been modified by modern changes and how they had hidden, unchanged beneath the surface, all makes this a fascinating study not only of art conservation but of anthropology and sociology, performed with great sensitivity and ethics. THis is a wise and wonderful book and would serve well as a text for an ethics course as well as courses in conservation and art practices.

1 of 1 people found the following review helpful.
Excellent, informative read about a very special symbol
By D. Mason
I have long been interested in Hawaiian history and culture. And the statues of Kamehameha the Great have long held my attention and admiration, so much so that I have it tattooed on my right arm as representative of my love of Hawaii and its people.
When I discovered this book recently, I was eager to read it; I was not disappointed. It is well written and tells a fascinating account of arguably the least known version of this magnificent work. If you have any interest in restoration work of this type you should read this book. If you have an interest in Hawaii, then you should especially read this book as it reveals not only some of the fascinating general history behind the creation of this work, but also gives you a touch of the emotion behind it as well.

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Rabu, 21 Januari 2015

# Get Free Ebook Ghosts of the New City: Spirits, Urbanity, and the Ruins of Progress in Chiang Mai (Southeast Asia: Politics, Meaning, and Memory), by And

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Chiang Mai (literally, “new city”) suffered badly in the 1997 Asian financial crisis as the Northern Thai real estate bubble collapsed along with the Thai baht, crushing dreams of a renaissance of Northern prosperity. Years later, the ruins of the excesses of the 1990s still stain the skyline. In Ghosts of the New City, Andrew Alan Johnson shows how the trauma of the crash, brought back vividly by the political crisis of 2006, haunts efforts to remake the city. For many Chiang Mai residents, new developments harbor the seeds of the crash, which manifest themselves in anxious stories of ghosts and criminals who conceal themselves behind the city’s progressive veneer.

Hopes for rebirth and fears of decline have their roots in Thai conceptions of progress, which draw from Buddhist and animist ideas of power and sacrality. Cities, Johnson argues, were centers where the charismatic power of kings and animist spirits were grounded; these entities assured progress by imbuing the space with sacred power that would avert disaster. Johnson traces such magico-religious conceptions of potency and space from historical records through present-day popular religious practice and draws parallels between these and secular attempts at urban revitalization.

Through a detailed ethnography of the contested ways in which academics, urban activists, spirit mediums, and architects seek to revitalize the flagging economy and infrastructure of Chiang Mai, Johnson finds that alongside the hope for progress there exists a discourse about urban ghosts, deadly construction sites, and the lurking anxiety of another possible crash, a discourse that calls into question history’s upward trajectory. In this way, Ghosts of the New City draws new connections between urban history and popular religion that have implications far beyond Southeast Asia.

  • Sales Rank: #672574 in Books
  • Published on: 2014-07-31
  • Released on: 2014-07-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .70" w x 5.90" l,
  • Binding: Paperback
  • 208 pages

About the Author
Andrew Alan Johnson is assistant professor of social sciences (anthropology) at Yale-NUS College in Singapore, Southeast Asia.

Most helpful customer reviews

2 of 2 people found the following review helpful.
This is a fascinating ethnographic study of what progress fails ...
By Daena Funahashi
This is a fascinating ethnographic study of what progress fails to progress and what emerges out of this failure. A must read for anyone interested in the idea of urbanity and development in Southeast Asia.

1 of 1 people found the following review helpful.
This was a very entertaining as well as informative work ...
By L. Handy
This was a very entertaining as well as informative work. Not just for the supernatural folklore that enveloped a "modern" city, but also as a study in elite power-brokers planning everything except dealing with actual real people -- critical theorists take note!

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Selasa, 20 Januari 2015

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Incredible Answers to Prayer: More Than Coincidence...True Stories of God's Miracles in Everyday Life (Mysterious Ways series), by Guidepo

Compiled from Guideposts magazine's most well-loved column, Mysterious Ways, Incredible Answers to Prayer will move you with its incredible accounts, from everyday people, of God's influence, grace, and of course, His answers to our prayers.

In this collection, the second in our new but already well-loved Mysterious Ways series, you'll meet people who turn to God to find help in difficult times. Whether it involves people recovering from illness, rescuing a loved one in danger, or reuniting with an estranged relative, God provides for us all. Broken into four sections -- Incredible Healing, Incredible Provision, Incredible Intervention and Incredible Redemption -- this book is overflowing with stories for any need. Sit back, relax and be taken in with God's Incredible Answers to Prayer.

Drawing on fifty-plus years of publishing inspirational stories, America's favorite storyteller, Guideposts, brings you some of our best-loved, uplifting, real-life stories, show how faith works powerfully in ordinary lives.

  • Sales Rank: #1158633 in Books
  • Published on: 2012-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 5.50" w x .75" l, .75 pounds
  • Binding: Hardcover
  • 192 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
Quick, heartwarming stories
By Kara K. Prem
This book is full of simple stories, nothing that takes more than a few pages to read, and that is perfect. If you're feeling down and need a small burst of hope, read a story or two or ten!

2 of 2 people found the following review helpful.
Must Read!
By Amazon Customer
Beautifully written, heart warming book. You will not be disappointed with this purchase. I absolutely loved it. One again a must read

2 of 2 people found the following review helpful.
Inspiring
By GG
The stories are very uplifting and encouraging. I enjoyed reading this book. Great book for seeing God's hand in other's lives.

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Senin, 19 Januari 2015

~~ Download PDF Chinese As A Heritage Language: Fostering rooted world citizenry (Nflrc Monographs), by He, Xiao

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Chinese As A Heritage Language: Fostering rooted world citizenry (Nflrc Monographs), by He, Xiao

Contributors examine the sociocultural, cognitive-linguistic, and educational-institutional trajectories along which Chinese as a heritage language may be acquired, maintained, and developed.

  • Sales Rank: #3125497 in Books
  • Published on: 2008-04-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.44" h x .61" w x 9.69" l, 1.15 pounds
  • Binding: Paperback
  • 292 pages

About the Author
AGNES WEIYUN HE is Research Associate Professor at the Department of Linguistics at State Univeristy of New York, Stony Brook.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Excellent book
By Stanley
The book provides readers with a holistic view about heritage languages, heritage language learners and heritage language learning. It is an excellent book. I highly recommend this book.

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Sabtu, 17 Januari 2015

** Free PDF Molasky: Southern Exposure PaperFrom University of Hawaii Press

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Molasky: Southern Exposure PaperFrom University of Hawaii Press

An anthology of Okinawan literature in English translation. Both Matayoshi Eiki and Medoruma Shun are represented in the volume, which includes a wide range of fiction and a sampling of poetry from the 1920s to the present day.

  • Sales Rank: #1068705 in Books
  • Published on: 2000-01-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .84" w x 5.98" l, 1.02 pounds
  • Binding: Paperback
  • 376 pages

About the Author
Michael Molasky is professor of Japanese at Connecticut College in New London.

Steve Rabson is associate professor of Japanese at Brown University.

Most helpful customer reviews

8 of 8 people found the following review helpful.
A beautiful, elusive literary tradition
By A Customer
Very little of Okinawan literature has been translated into English, and this book exemplifies why that's such a shame.
This volume provides the reader with not only a chance to explore a culture that Americans know too little about (considering the tremendous influence/destruction we've wrought in Okinawa), but highlights a rich and wonderful literary tradition that gets little to no attention in the west. Buy this book!

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